As with his production at this address
over Christmas 2004 of Molière's
Tartuffe, director Serdar Bilis
shows a strong overall concept of staging but makes some bizarre
decisions which hobble the evening. This time, a satire by Alexander
Ostrovsky, the father of realism in Russian drama (anticipating
Stanislavsky and others by decades) is played as if populated by
caricatures. Whether the periodic tableaux of Hogarthian grotesque,
complete with unsubtle lighting changes, are Bilis's idea or a relic of
the Cheek By Jowl production in 1988 for which Nick Dear's translation
was originally made I do not know, but they are wildly out of keeping
with Dear's fizzing, colloquial text.
Mind you, so are many of the performances. Only Jonathan Coyne gets
right on the money (pardon the pun) as the merchant Bolshov, who
arranges to evade his business debts by signing over all his assets,
including his house, to his assistant Lazar. Coyne is bluff and vulgar
without being squalid. Jane Bertish gets close, too, in her picture of
shabby gentility as the matchmaker Bolshov has engaged for his
airheaded, wannabe-fashionable daughter. Unfortunately, as the latter,
Sally Leonard gives a leaden, lumpen reading which leaves one mystified
as to how she may have captivated Lazar, who finally wins her over with
the promise of putting what had formerly been her father's fortune
entirely at her modish disposal.
Perhaps most problematic of all is Philip Arditti's Lazar, who refuses
to honour his promises to Bolshov and others, instead hanging on to the
money and leaving his father-in-law and former boss to rot in debtors'
prison. I think (but am not certain) that the Italian-born Arditti has
been directed to exaggerate and transmute his own vestigial accent, and
I fear that the purpose may be anti-Semitic: to characterise Lazar's
initial sycophancy and later grasping treachery as traits of
Jewishness. I fervently hope that I am entirely imagining this. After
all, there is no need to retain all the mores of 19th-century Russia
for a farce about money and legality, certainly not as this revival
opened in a week when Tony Blair's suppression of the al-Yamamah
corruption investigation appeared to indicate that the rule of law can
still take second place to commerce.
Written for the Financial
Times.