For their new piece, the flagship of a
15th-anniversary season for their company Ridiculusmus, David Woods and
Jon Haynes set themselves the uncharacteristic constraint of “No funny
business”. They fail at step one. For although their characters Stefan
and Martin engage in discussion which is at various points sexually
graphic, provocatively callous (even about the Holocaust) and
structurally intricate, audience laughter does keep breaking out. Why?
Well, it may have something to do with the fact that both men spend all
70 minutes of the show naked in a bathtub. The setting is supposedly a
Bangkok sauna, but as far as the stage picture is concerned, men, bath,
that’s it.
Ridiculusmus’ keynote is an approach at once diligently thoughtful and
deeply silly, and an interest in seeing the interference patterns that
these elements generate with each other. Their last appearance at this
venue was with a two-man version of
The
Importance Of Being Earnest, in which a succession of onstage
costume changes (including drag) were treated with a solemnity at odds
with both the text and the images thereby created. They have been aided
in their various projects by Haynes’ possession of a stone face to
rival Buster Keaton’s, whilst Woods’ bald head and mobile features can
make him resemble a horror-movie slasher on
Newsnight Review.
Here, they have set out to create a pair of characters who are almost
entirely unpleasant: the one serially sexually exploitative, the other
imbued with a
Schadenfreude
taken to pathological extremes. But as they tell their stories to each
other, a third ingredient emerges: to the nastiness of the content and
the absurdity of the image is added an awareness of the storiness of
the stories themselves. They almost reach the extent of mentioning
screenwriting guru Robert McKee by name. And why is all this done? I
think, just to see what happens. Why, when both men are playing
Germans, does only Woods adopt an accent? So that we will wonder why.
It is at once alienating and engrossing, and I think it is the
company’s strongest work for some time. But, for all I have said, never
underestimate the silliness. It’s still two naked men in a bathtub.
Written for the Financial
Times.