It was whilst watching Matthew
Dunster’s excellent, pacy ensemble staging for Out Of Joint (now
playing in London towards the end of a national tour) that I realised
why I so like David Edgar’s writing. Edgar has fallen some way out of
fashion in recent years: respected, even revered, but not fêted
in an immediate way. This is because his kind of liberalism has also
become
passé: a kind
that is not afraid to talk turkey rather than waffling in buzz-phrases.
When Edgar examines a topic, he asks questions that are not rhetorical
nor ends in themselves: he actually wants to find answers. He
recognises that this process must also include an honest examination of
our own standpoint, and crucially that such self-examination is not a
symptom of insecurity or a sign of weakness.
The topic here is Britishness, in particular those values which we
consider characteristically British and are secularly enshrined in the
schooling now given for the government test in British citizenship.
Teresa Banham plays the teacher of a course in English for Speakers of
Other Languages which includes a citizenship component. Her own
experiences with her students (including the shadow of double standards
and/or the crucial dilemma of how far we can tolerate intolerance) are
intercut with glimpses into the lives of various of her students and
other citizenship applicants. Indeed, the sudden opening of the play is
a masterly bait-and-switch test of audience prejudices: we see a young
Yorkshire Asian blindfolded and imprisoned by such another young man in
more traditionally Islamic dress, and assume abduction and perhaps
indoctrination of some kind before their dialogue makes it apparent
that this is a loving confinement, helping Mahmood go cold turkey off
heroin.
John Major’s archaic, Orwell-derived vision of Englishness (warm beer,
cricket on the village green etc) weaves through the play as an
indicator that cherished values may be to a great extent mythical or
outmoded. As Edgar no doubt realises, the play’s title itself is
another such example, alluding to the mischievous advice to foreign
visitors to “test the famous echo in the Reading Room of the British
Library”. However, since the Library moved from its British Museum site
a decade ago, this joke is itself now part of national mythology rather
than contemporary reality. But myths can also embody collective human
truths, and it is these which Edgar constantly delves for – not in an
airy way but with his sleeves rolled up, digging vigorously in our
social and cultural soil.
Written for the Financial
Times.