HARD-HEARTED HANNAH AND OTHER STORIES
Lyric Studio, London W6
Opened 20 May, 2008
***
To an extent, Cartoon de Salvo are the
architects of their own partial failure. The programme notes that most
British performance improvisation is based around the individual gag,
and that this show in contrast grew partly from the company’s discovery
of long-form improv which tells a full-length story. However, virtually
no such story will be as crafted, detailed or generally content-ful as
a prepared show (whether from a script or a prior devising process).
Therefore, we don’t watch the result in the same way as other
theatrical endeavours; in the absence of a sense of complete form, we do look for the gags, or for
discrete moments of enjoyment.
Gags and entertainment there are in elegant sufficiency, although in
some ways the second strand of inspiration further detracts from a
feeling of wholeness. Inspired by an American-style jug band, the de
Salvos have worked up a repertoire of numbers on guitar, mandolin,
banjo, washboard and/or kazoo; at the beginning of each evening, the
audience propose a title for the tale to be told and select a clutch of
songs to be played during the piece. The story and the musical
imperatives may pull in opposite directions; while it was amusing to
see Neil Haigh try three times during the press-night show to cue his
fellows into “Mama Told Me Not To Come” before Brian Logan and Alex
Murdoch picked up on it, I couldn’t help feeling that their efforts
might be better directed elsewhere.
But the trio do work well together. The long-form improvised theatre
that I have seen hitherto has involved a non-performing controller
“calling” the basic set-up of each scene in advance. Here, things flow
with complete spontaneity; even when two performers find themselves
offstage at the same time there is, as Jeremy Paxman would say, no
conferring. They also enjoy jump-cutting, so to speak, from one scene
to a radically different one, as during the performance I saw (entitled
The Forgotten One) when a
captive astronaut and a strange, howling alien suddenly transformed,
without change of lighting or posture, into an odd couple in a
small-town pizza parlour. Nor is there any clock-watching: an
impressionistic sense of time combines with the story taking as long as
it takes to tell. It’s all fun, but not as much more as it wants to be.