Director Trevor Nunn ends 2008 as he
began it, in Ingmar Bergman territory, moving from the bleakness of
Scenes From A Marriage to the
relatively upbeat
Smiles Of A Summer
Night. Only relatively, of course: this being Bergman, and being
moreover Stephen Sondheim’s musical version, the smiles are always
going to be rueful, wistful or -ful of something else to modulate them
into a minor key. Indeed, the one perfect marriage here, amid the
tangle of wed and unwed couples, is that of Bergman and Sondheim. The
composer’s sensibility may often seem Upper West Side Manhattan to the
marrow, but it meshes beautifully with the Nordic fatalism of the
story. As Maureen Lipman’s Madame Armfeldt advises her granddaughter,
“Never marry, or even dally with, a Scandinavian.”
Lipman, enthroned in a wheelchair, glares at the proceedings like a
baleful pelican as her actress daughter Desiree fends off one lover and
tries to reclaim an old flame who has since married (but not yet
consummated with) a teenaged bride with whom his Lutheran son is also
in love... and so on. Matters come to a head chez Armfeldt on a night
when (as the chorus singers keep reminding us) the sun never sets.
Alexander Hanson has a strong pedigree as both an actor and singer, and
is well cast as lawyer Fredrik Egerman: mature enough to be trying to
regain his youth with 18-year-old Anne, but also middle-young enough to
be a match for Hannah Waddingham’s Desiree who, even more than Miss
Jean Brodie, is absolutely in her prime. Her appearance in
Spamalot made Waddingham a name; if
this production transfers to the West End, as it ought to (despite
being finely tooled to the chamber dimensions of the Menier), her
winning combination of appeal and depth will deservedly make her a star.
Loath as I am to endorse the TV talent-quest
I’d Do Anything, Andrew Lloyd
Webber and Cameron Mackintosh showed some discernment in their
admiration of Jessie Buckley, who did not win the series but makes an
impact here as Anne Egerman. Also worthy of note is Kelly Price, whose
delightfully disingenuous performance as Countess Malcolm expunges all
memories of her in the musical of
Desperately
Seeking Susan. This nocturnal sunshine is just the stuff to get
us through the dark midwinter.
Written for the Financial
Times.