Six words to gladden the heart: “Music
and lyrics by Chris Larner”. Larner first came to notice in the 1990s,
writing whimsical ditties for comedy duo The Right Size; more recently
he has co-penned surreal musicals
The
Translucent Frogs Of Quuup and
On
The Island Of Aars. He has simplified lyrical matters slightly
here for a family audience, but only slightly. When the duo of the
title beat a retreat after a romantic misunderstanding with a broom(!),
they sing, “Let’s go, let’s go, let’s go this way/ The opposite
direction to a bristly fiancée”. After the interval, a military
sergeant bellows, “A scarecrow and his servant might give minor
satisfaction/ But now we’ve got the army and some proper manly action.”
None of which is to belittle the script in which the musical numbers
nestle. Simon Reade has adapted Philip Pullman’s children’s novel as a
lively picaresque, and directs it in a poor-theatre style with a cast
of five. Apart from some military tunics, all costumes seem to be made
from rags and plastic bags, hardly more dapper than the scarecrow
himself; Tom Piper’s set appears to be built from wooden pallets, from
which panels flip up to reveal various bits and bobs from scene to
scene. As the scarecrow who comes to life and determines to experience
the world, Andrew Pepper is as urbane as a character can be with
innards of straw and a pea for a brain; as Jack, the wartime orphan who
enlists as “Lord Scarecrow”’s servant, Finn Hanlon is a more neutral
viewpoint figure. Stephanie Street, Mark Leipacher and Oliver Senton
play a basket of other characters each, with Senton in particular
excelling as everything from a politically minded owl to a farmer who
never finishes his, y’know...
It is refreshing to see an adaptation of this kind which doesn’t keep
falling back on the storytelling ethos and putting chunks of narrative
in its cast’s mouths, but is determined to show rather than tell. At
the same time, there’s a kind of kiddy-friendly Brechtianism at work,
as actors and audience alike implicitly acknowledge that it
is just pretend, yet all pitch in
with enthusiasm. The rather bland green message at the end does little
to diminish the preceding hour and three-quarters of ebullient,
family-friendly, non-Christmassy seasonal entertainment.
Written for the Financial
Times.