Nigel Dennis’s “history of religion in three acts” (1957) may seem both
more urgently relevant in an age of increasing rather than diminishing
religious conflicts and also more in tune with one ascendant viewpoint,
as advertisements proclaiming the probable non-existence of God appear
on the sides of London buses. In the event, though, it seems dated in
more than its narrative framework, and ultimately takes the very same
kind of position it seeks to denounce.
The first act sees a British colonial district administrator (Philip
York) in Africa, on discovering that his cherished dam project is
believed to have drowned the local river god, set out with his wife and
aide (Amanda Royle and Duncan Wisbey) to design a decent, moral and
rational religion in its stead. The first nod to absurdity is naming
the new god after the noise of the neighbouring cows. In this phase, as
the trio hold meetings to decide what their god will be like, the play
seems a very English satire; it is as if Scientology’s founder L. Ron
Hubbard had come
from East
Grinstead instead of moving
to
it. Sam Walters’ direction catches the sardonic note of the
pseudo-Wildean epigrams that pepper the act, such as “Though educated
people will believe in anything, atheists need to be convinced.”
However, after the interval, satire becomes polemic. In Act Two the
religion is in bloodthirsty expansionist mode: the principal trio have
come to believe in their own creation, the rattan furniture of Tim
Meacock’s set has become a papal throne and a sacrificial altar, and
Christopher Staines as a visiting lawyer is simply a mouthpiece for
authorial statements, as if Christopher Hitchens had taken the stage.
Act Three sees the church institutionalised, the elders’ zeal softened
but with a new generation (Staines again) showing signs of fervour and
inflexibility that augur ill for the future. The play as a whole
succumbs to the problem that, just as there is no hard evidence for the
existence of any God, so there is likewise none for the non-existence,
and loud and forceful counter-assertion becomes the order of the day.
As for the claim that the Earth would have been a finer place without
religion to sanction various atrocities through the ages, what is that
but an article of faith in another, better world?
Written for the Financial
Times.