Thomas Bernhard was not exactly
Austria’s favourite son, nor did he feel much filial affection. His
plays contain – contain? They
are
– scathing indictments of the country and the national character as
being at best complacent and in denial, but more usually
prejudice-ridden and at root still Nazi.
Heldenplatz, his final play, was
written in 1988 during the presidency of Kurt Waldheim and as the
Austrian Freedom Party under Jörg Haider careered towards the far
right. The following year Bernhard died, leaving instructions in his
will that there be no new stagings or publications of his plays in
Austria.
Heldenplatz consists of three
lengthy scenes depicting the family and household of a liberal Jewish
professor of philosophy who has recently committed suicide by
defenestration, we infer in despair at the state of his country. The
matter seems at first to be the elephant in the room, as his
housekeeper and maid speak about disposing of his clothes, his domestic
obsessions and the like, veering away from the death whenever it looms
into view. Gradually, however, the theme rises, until the final scene
of a post-funeral dinner becomes little more than invective against all
things Austrian (including Vienna’s main theatres), culminating in the
Professor’s widow falling into one of the fits we are told she has
regularly suffered, imagining she hears the cheering of the crowds
outside the apartment window in Vienna’s central square, the
Heldenplatz, as they welcomed Hitler into the city 50 years earlier
almost to the day.
It is not easy viewing, and Annie Castledine and Annabel Arden’s
production does not try to alleviate it; rather the reverse, framing
the scenes by keeping the non-playing cast members visible at either
end of the traverse stage, dressed as Jewish victims about to be
shipped to the concentration camps. We have no refuge: we must either
commit ourselves to Bernhard’s words, which are torrential and
fervently condemnatory, or watch the opposite bank of the audience
squirming just as we are. In Britain the temptation for many would be
to discount such sentiments as the exaggerations of the liberal
intelligentsia. But there is no doubt that Bernhard meant his words
literally... words such as “If they were honest, they’d love to gas us
today.” It is deeply discomfiting, but such discomfort can be salutary,
like a dose of nasty medicine.
Written for the Financial
Times.