JACK AND THE BEANSTALK
Hackney Empire,
London E8
Opened 2 December, 2010
****
When Clive Rowe sings Nilsson’s “Without You”, you’re grateful for the
advance notice the song gives you. Its muted, reflective beginning
gives you time to brace yourself against the moment when the belting
chorus drives you back in your seat like the guy in the old cassette
commercials. Rowe’s lung-power is matched by his overall energy, so
that this respected musical-theatre player is also one of the finest
pantomime dames in the business. He is a major component of Hackney’s
reputation for putting on the most enjoyable panto of the holiday
season. The man is simply irrepressible. Even if some of his giggling
moments may be scripted (as in many pantos), he always seems entirely
spontaneous and to be having as much fun pratting about in daft frocks
as we are watching him do so.
Other significant Hackney assets include Kat B, who has now graduated
from kids’-mate roles to a slightly more mature portrayal of, er, a
Jamaican snowman (cool runnings indeed); Sharon D Clarke, who only ever
now features as a recorded voice but even when disembodied can match
the full-figured Rowe in vocal power; and of course writer/director
Susie McKenna, who knows how to mix traditional elements with topical
references (this year even the Go Compare tenor gets a look-in). As an
indicator, the musical repertoire here ranges from the Black Eyed Peas’
“I Gotta Feeling” (and how appropriate to be singing “mazel tov” on a
Hanukah press night) to the old novelty number “How Could You Believe
Me When I Said I Love You When You Know I’ve Been A Liar All My Life”.
McKenna’s script has been tweaked since its last outing in 2005, but it
still contains the occasional element of woolliness or cop-out, such as
the fact that wicked Giant Blunderbore is not killed but simply cut off
in his cloud-top castle. It’s a bit wet, too, for Jack to pair off with
fairy princess Sweet Pea (it’ll never last: he’s a working-class lad
from Hackneydale, she’s a mystical anthropomorphised legume). But the
Empire has been dark for much of this year due to funding problems, and
the joy at having it back in lights for the season is palpable. Most of
all, though, it is the joy this company brings to an evening of raucous
seasonal silliness.