The title of John Donnelly’s play
reverberates in so many ways. There is the London cabbie’s geographical
test as taken by the father who deserted now-15-year-old Daniel; there
is carnal knowledge, never far beneath the surface for Daniel and his
unruly classmates in a school in Tilbury, Essex, nor for the teachers;
and there is the simple awareness of what is going on inside or between
characters (and what does it mean to “have sex with” someone? – that
Clintonian question arises again here). It is both deliberate and
significant that the educational sense is almost incidental, despite
this being the first play in the Bush’s Schools season (it is to be
joined in repertoire by Steve Waters’
Little Platoons).
For
this is not a state-of-the-system play that grinds an ideological axe
about which approaches should or should not be taken in contemporary
education. It may sucker us at first into believing so, as it portrays
newly qualified teacher Zoe coming up by turns against the quartet of
untamable teens and her cynical staff colleagues. We may also
anticipate a violent explosion from either the obvious candidate,
nuisance-in-chief Mickey, or from Daniel himself (he writes poetry, but
it’s always the quiet ones, isn’t it?). But whenever we think we have a
handle on where Donnelly is going, he introduces another facet. The end
of the second act sees a sexual/violent crisis dealt with by the three
teachers (for Zoe has grown in both confidence and audacity) each
blatantly manipulating the other two in ways which are neither legally
nor morally defensible in absolute terms, and yet it is just as clear
that each is motivated by a coherent and non-solipsistic set of
principles. We can sympathise properly with no-one, yet nor can we
dismiss any of them.
Director Charlotte
Gwinner handles her cast of seven well; even the scene changes are
efficiently drilled. The progression from comedy/drama of embarrassment
in the opening scenes through to the ethical and psychological
labyrinths at the end is executed nicely, in particular by Joanne
Froggatt as Zoe, Kerron Darby as Daniel and Joe Cole as Mickey. And
that’s not even mentioning the use of a blue prosthetic penis as a
classroom pacifier. Whatever you think this play is, that’s what it’s
not.
Written for the Financial
Times.