Early
results from the Panto League indicate that last season’s champion “All
The Single Ladies” has been relegated, and the strongest musical
contender for mandatory inclusion in this year’s pantomimes is “Price
Tag” by Jessie J. At one point or another the denizens of the fairytale
lands of both Ha-Ma-Smit and Harknee-on-Lea share their desire to make
the world dance and exhort everybody to look to the left (etc.) whilst
busting some moves in the middle of their traditional panto tales.
The
finest pantomime dame of his generation, Clive Rowe, is on sabbatical
from the outlandish frocks in Hackney this year; instead of his
exuberant chumminess, the man-sized slingbacks are filled by Tony
Whittle and Kat B as the Ugly Sisters. Kat in particular relishes the
change from his more usual best-pal casting in Susie McKenna’s pantos
to drawing audience boos this time… and it doesn’t hurt to have an Ugly
Sister with a facial hair problem. Rowe’s absence also means that there
is unlikely to be a finer dame in London this season than Shaun
Prendergast as Widow Twankey at Hammersmith, all ebullience, bonhomie,
bad gags and worse dress sense. Prendergast not only works excellently
on his own but also meshes well with Steven Webb as Wishy Washy, who
for no very good reason is in this version a bright blue monkey, and
moreover as camp as a field full of pink bell tents.
The
Hammersmith writing team of Joel Horwood, Morgan Lloyd Malcolm and
Steve Marmion (who also directs) hit the bullseye last year after a
less successful first try in 2009, and
Aladdin
too is a thoroughly assured piece of work. Budgetary constraints mean
occasionally making a virtue out of necessity, as the Spirit of the
Ring walks on and offstage without any flashes or puffs of smoke, and
set and costumes have a modern-cartoonish feel to them as opposed to
the older-school look of Lotte Collett’s sets at Hackney. There, much
of the costuming is in modern dress: Prince Charming, for instance, is
a preppy figure in blazer and what Americans would call a knitted vest
but Brits know as a tank top. When it counts, though, the traditional
gowns and bellboy costumes are present and correct.
Hackney
has some high-powered musical-theatre casting this year: Sophia
Ragavelas as Cinders, Sophie-Louise Dann as the Fairy Godmother, Joanna
Riding as the Wicked Stepmother and the stalwart Peter Straker as Baron
Hardup, not to mention recordings of Sharon D Clark and Clarke Peters
as the voices of the moices, sorry, mice. It’s not surprising, then,
that there are so many numbers… possibly a few
too
many; that first half could be trimmed a little. Hammersmith’s musical
choices are generally brasher: it’s pretty audacious to make your
opening number a rewritten version of Cee-Lo Green’s (ahem) “Forget
You”. And what they may lack in resources, the Lyric cast more than
make up in oomph, with Simon Kunz in particular managing as Abanazer to
be at once sinister and engagingly gormless. The two productions make a
fine start on either side of London to this year’s panto season: in
fruit-based catchphrases from each show, they are respectively
amaze-plums and top banana.
Written for the Financial
Times.