This
version of the story of Abraham and Isaac is not about God’s compact.
It focuses entirely on man; his zeal, which leads him to undertake the
sacrificial trip to the mountain in the first place, and in particular
the psychological legacy of the event on members of the family.
Abraham is the only named character in Amir Nizar Zuabi’s version, the
others being the son (portrayed both as a young boy immediately after
the event and in manhood some time later), his wife in later
years and his mother. At intervals, a couple of sheep (the Wise Ram and
the Young Lamb) also pop up to offer commentaries, sometimes with
unexpected humour. They even swing on to the stage suspended from
meathooks at one point, ready to be slaughtered and carved by the Son
in his later career. But this is not the only aspect in which his path
through life has been shaped by his near-sacrifice on Mount Moriah (or,
to Arabs and/or Muslims, Marwah). We see him assault his pregnant wife
and drive her away rather than risk bringing a son into a world where a
father could do such things, just as earlier we have seen his mother
flee the family home with the boy rather than remain around such a man
as Abraham. In little more than an hour, Zuabi’s adaptation and staging
examine the viewpoints and experiences of mother, son and finally
Abraham himself.
It is natural to interpret this in the light of the contemporary world
from which Zuabi’s ShiberHur company comes in Palestine (this is the
company’s third visit to London, but under the auspices of World Stages
London its first English-language production here). Abraham seems to
personify fervent believers on either side of the Middle Eastern
conflict: those who listen to voices in their heads, which may or may
not be the voices of gods, rather than to those around them whom they
supposedly love; the others, but in particular the Son, those left to
live with the unconsidered consequences of such ardour.
Makram J Khoury is as dignified as ever, but does not thereby make his
Abraham sympathetic; Rivka Neumann and Rami Heuberger show that it is
as much as the Mother and Son can do simply to carry on in any kind of
life.
Written for the Financial
Times.