Arty and scientistic folk often argue
that the other sort just don’t get it. Sometimes they’re right. The
quantum physics thought-experiment of Schrödinger’s Cat, for instance,
doesn’t say (as most of us think) that until the box is opened we don’t
know whether the cat is dead or alive; it says that
it’s both.
Similarly, Nick Payne’s small-is-beautiful two-hander, now deservedly
receiving its West End transfer after proving a sensation in the Royal
Court’s upstairs studio at the beginning of the year, does not follow
Roland and Marianne through numerous possible routes of their
relationship. All the routes are actual, in different manifestations of
the quantum multiverse which Marianne is studying whilst Roland keeps
bees. And if almost all the routes tend towards the same downbeat
ending, nor does that call into question the idea of free will; since
we only know one universe at a time, we always make our own decisions
to interact with circumstance.
Payne says all this infinitely more lightly. The white balloons that
hang above the stage might be spermatozoa, or entire cosmoses
(cosmoi?), or might simply be an emblem of the delicacy of Michael
Longhurst’s production and Rafe Spall’s and Sally Hawkins’
performances. As they circle around almost the same scenes again and
again – running differing variants of moments throughout their time
together, alternating with more and more similar glimpses towards the
end – they keep matters buoyant and above all natural. Spall’s amiably
dogged Roland and Hawkins’ brasher, brittler Marianne do not show us
diverse potential aspects of their characters; somehow, even as words,
moods and outcomes differ, they are always the same people in the same
relationship, always with (as Marianne says towards the end) the same
time spent together.
Even in a house like the Duke of York’s which is small by West End
standards (640 or so capacity), the play is going to feel less intimate
than it did upstairs at the Court, especially as that first run was
staged in the round. But it does not feel dwarfed, nor stingy at a mere
65 minutes. For in that time we are shown, implicitly, whole realms of
theoretical physics, and explicitly, a wealth of facets of human
interaction. It’s like a map of the entire unimaginable vista of
humanity with a little arrow telling us “You are here”.
Written for the Financial
Times.