Chatting before the show, director Paul
Hunter of the Told By An Idiot company enthused that their first show
aimed at very young audiences had meant that, instead of the usual
routine of justifying particular physical or clowning segments in terms
of narrative or thematic relevance, they could just say, “This bit’s in
here because we really like it!” The Idiots are probably Britain’s
foremost clowning theatre company – that’s “clowning” in the sense of
bringing that particular technique to bear on often quite poignant
material rather than as in just pratting about – but it took quite some
recalibration for me to watch them, well, just pratting about.
The 45-minute show, intended for families including children as young
as 4, is described as being inspired by Charlie Chaplin, Dr Seuss and
Pina Bausch. You can genuinely see the Bausch bits, with a motif of
semi-abstract dance sequences, in which (in common with several other
sequences) children from the audience are invited to join in. Also
included are tumbling, musical business and conventional clowning
routines such as the bowler hat filled with foam and a demonstration of
how many wrong ways one can put on a pair of trousers. Connoisseurs of
British clowning theatre may also fondly recognise what was once
designated routine no. 99: Waiter On Elastic.
Of the four performers, Stephen Harper is particularly good at just
being a big kid, pretending to rumpled dignity even whilst making an
ultra-eccentric egg sandwich. Michael Ureta is the tumbler, Sophie
Russell usually (though not always) more decorous and Elisabeth Flett
principally handles the musical duties. They formed a comfortable bond
with the children in the audience, but not necessarily a strong one;
kids joined in freely when asked, but not conspicuously eagerly, and
overall the air of the young spectators was one of polite pleasure
rather than enthusiastic enjoyment. I can’t help wondering whether that
very themelessness which the company profess to find so liberating is
also, crucially, a limiting factor. The children obviously do not have
my expectations of the Told By An Idiot “brand”, but they may have
preconceptions regarding theatre in general, even at such an age, and
one such notion is that a piece have direction and purpose. Strange as
it sounds, four-year-olds may on some level ask whether fun is enough.
Written for the Financial
Times.