Both as artistic director of London’s
Gate Theatre in the mid-1990s and thereafter with the Royal Shakespeare
Company and elsewhere, Laurence Boswell has been British theatre’s
foremost contemporary evangelist for the dramas of the
early-seventeenth-century Spanish Golden Age. Last autumn, on his
current home turf at the Ustinov in Bath, Boswell curated a season
consisting of newly retranslated revisitations to a couple of plays
from his Gate era, Tirso de Molina’s
Don
Gil Of The Green Breeches and
Punishment
Without Revenge by Lope de Vega, together with another Lope,
A Lady Of Little Sense (
La Dama Boba, 1613). This package
has now transferred in repertoire to the Arcola in London (whose
supremo Mehmet Ergen has directed
Don
Gil).
The basic set-up is a cousin to that of
The Taming Of The Shrew: two
sisters of marriageable age, but in this case neither is a
straightforward proposition. Nise is an arrogant bluestocking, while
not even a dowry of 40,000 ducats can hide the fact that Finea is, as
my mother used to say, as thick as champ. Liseo, who has arrived in
Madrid to court Finea, is daunted by her spectacular stupidity and
falls instead for Nise; meanwhile Laurencio, one of a clutch of suitors
whom Nise disdains, decides to take the money along with Finea’s hand.
Under his courtship she blossoms in both simple intellect and feeling,
which drives Laurencio to jealousy and provokes Liseo to revert to Plan
A.
It’s an exuberant comedy, and David Johnston’s translation catches its
energy. Katie Lightfoot as the petulant Nise and Frances McNamee as
duckling-into-swan Finea provide strong twin foci, culminating in a
song-and-dance sequence which is superficially courtly but plainly
amounts to a sisterly duel. Simon Scardifield draws on his seemingly
inexhaustible supply of boyish charm as Liseo, and Jim Bywater turns in
a fine set of cameos including playing a tutor and a dancing master
each driven to distraction by the early idiocies of Finea.
Ultimately, though, Lope’s play runs into a similar problem to
Shakespeare’s: he genuinely does believe that Nise is literally too
clever for her own good, and moreover despite much talk of punishing
Laurencio for his two-timing, neither he nor Liseo suffer for changing
their affections with the prevailing winds. With these disquieting
undercurrents, you can never quite give yourself up to the fun.
Written for the Financial
Times.