PROMPT CORNER 15/2014:
The Nether
Royal Court Theatre,
London SW1
Opened 24 July, 2014
…The politics of The Nether are rather more
complex. My own Financial Times
review could barely touch on these matters, in particular mentioning “a
medieval doctrine of essentialism in declaring one particular continuum
to be the ‘proper’ one whose values apply also to all others”.
This struck me as being remarkably similar to the
biological-essentialist view espoused by a number of radical feminists
in order to deny transwomen (i.e. people who have undergone gender
reassignment surgery and are now biologically women) status within
women’s events or access to women’s facilities. How you were born
is how you are, full stop, they maintain with a Paisleyite obstinacy…
just as the enforcement arm in Haley’s play argues that virtual
behaviour must be judged as if it were the same behaviour in the
physical world, even though it be entirely devoid of “real”-world
consequences and may in fact serve to prevent such behaviour outside
the cyberreality. We have a lot of thinking to do.
Written for Theatre Record.
Copyright © Ian Shuttleworth; all rights
reserved.
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