In recent years it has sometimes seemed
that Trevor Nunn, in his productions, has rated an unforced pace over
dramatic urgency; not to put too fine a point on it, he’s appeared
content to let things amble when they could have done with a bit of a
gee-up. The second of his Menier Chocolate Factory productions this
year (the first,
Love In Idleness,
has just transferred to the West End), shows no such problems, even
though it’s predominantly a talky piece rather than an eventful one. In
fact, perhaps
because it’s
such a piece.
Peter Shaffer wrote the role of Lettice Douffet in the mid-1980s
specifically for Maggie Smith, who appeared in its première production
opposite Margaret Tyzack. In theatrical terms, most of it is a duel for
two high-powered
grande dame
actresses. One the one hand there is Lettice, a historical guide who
never lets the truth get in the way of a good story and who is the
inheritrix of a particularly florid female strain of actor-laddie-ism;
opposite her, Lotte Schoen, the personnel head who begins by firing
Lettice for her serial embellishments then forges a firm if spiky
friendship with her. In Nunn’s revival these are respectively Felicity
Kendal and Muareen Lipman.
Kendal seldom gets the chance to cut loose like this, and takes full
advantage of the requirement to be as verbally and physically
flamboyant as possible (although a misplaced streak in her wig made it
look on press night as if she had tucked a roll-up behind her ear).
Lipman is a mistress of ill-at-ease astringency, and turns in a
beautifully detailed performance, right down to a slight
one-German-parent accent which grows stronger as she becomes drunker in
the central Act Two bonding scene. The pair’s determination to battle
against what they damn as the “mere” in all aspects of life is not as
enlivened by Shaffer as it could be, and railing against modern
architecture has also become something of a cliché... but it imparts a
warm glow to hear such vituperation being delivered in the very shadow
of the Shard.
Written for the Financial
Times.