Given the warmth with which London’s
cognoscenti have clasped director Ivo van Hove to their collective
bosom, I was surprised to see a liberal sprinkling of empty seats at
the opening of his Toneelgroep Amsterdam’s latest four-night visit.
Perhaps folk thought the material would be too heavy going: van Hove
has adapted for the stage Ingmar Bergman’s 1966 cinematic masterpiece
Persona, preceded by his 1984
television drama
After The Rehearsal.
Van Hove’s approach of distilling a stage presentation down to the
fundamentals of its characters and drama is keenly suited to Bergman’s
screen work: particularly in the early phases of each piece here, the
onstage compositions look and feel like three-dimensional renderings of
Sven Nykvist’s haunting photography for Bergman. The scripts remain
faithful to Bergman’s originals wherever possible, and even the pacing
reproduces the running time of each film almost exactly.
In
After The Rehearsal, a
stage director discusses professional and personal matters with a young
actress he has cast in Strindberg’s
A
Dream Play and recalls a similar encounter with her mother, his
former lover. In
Persona, a
nurse attempts to coax back to speech a famous actress who has
inexplicably fallen mute some months previously, and in doing so
reveals intimate matters about each of them. Both pieces play on the
familiar trope of reality v. illusion or presentation, but do so more
profoundly than almost any other stage outing I’ve seen, knotting in
and out of complex matters of significance: does the persona mean more
than the actual person, or is it merely more persistent, and how much
do one’s “true” nature and experiences signify anyway?
Persona is far the more masterly
meditation, with hints of seduction or that actress Elisabeth or Nurse
Alma may be an aspect, or a figment, of the other. There is little
momentum as such, but it is none the less compelling.
Van Hove has cut the double bill down to a cast of four, amongst whom
Gaite Jansen stands out as the younger actress in
After The Rehearsal and Nurse Alma
in
Persona. His regular
designer Jan Versweyfeld creates an expressionistic island and a very
real rainstorm on the Barbican stage, and I came away both impressed
and wondering whether I could persuade him to tackle Nicolas Roeg’s
Performance.
Written for the Financial
Times.