2019

All reviews copyright © Ian Shuttleworth; all rights reserved.

BY TITLE (or alternatively, VIEW BY DATE)



ADMISSIONS (Trafalgar Studio 1, London SW1; opened 12 March, 2019)

ALL ABOUT EVE (Noël Coward Theatre, London WC2; opened 12 February, 2019)

ALL ABOUT EVE (Noël Coward Theatre, London WC2; opened 12 February, 2019)

THE AMERICAN CLOCK (The Old Vic, London SE1; opened 13 February, 2019)

APPROACHING EMPTY (Kiln Theatre, London NW6; opened 14 January, 2019)

ASPECTS OF LOVE (Southwark Playhouse, London SE1; opened 10 January, 2019)

BERBERIAN SOUND STUDIO (Donmar Warehouse, London WC2; opened 14 February, 2019)

BETRAYAL (Harold Pinter Theatre, London SW1; opened 13 March, 2019)

THE CHERRY ORCHARD (Barbican Theatre, London EC2; opened 5 February, 2019)

DOWNSTATE (National Theatre [Dorfman], London SE1; opened 20 March, 2019)

FOLLIES (National Theatre [Olivier], London SE1; opened 22 February, 2019)

I LOVE YOU, GOODBYE (HAU1, Berlin; opened 29 March, 2019)
JESUS HOPPED THE "A" TRAIN (Young Vic Theatre, London SE1; opened 20 February, 2019)

LEAVE TO REMAIN (Lyric Hammersmith, London W6; opened 24 January, 2019)

ONLY FOOLS AND HORSES: THE MUSICAL (Theatre Royal Haymarket, London SW1; opened 19 February, 2019)

RICHARD II (Shakespeare's Globe [Sam Wanamaker Playhouse], London SE1; opened 6 March, 2019)

RICHARD III (Alexandra Palace Theatre, London N22 / touring; opened 14 March, 2019)

ROSENBAUM'S RESCUE (Park Theatre, London N4; opened 15 January, 2019)

THE TAMING OF THE SHREW (Royal Shakespeare Theatre, Stratford-upon-Avon; opened 19 March, 2019)

TARTUFFE (National Theatre [Lyttelton], London SE1; opened 21 February, 2019)

WAITRESS (Adelphi Theatre, London WC2; opened 7 March, 2019)

WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER (National Theatre [Dorfman], London SE1; opened 23 January, 2019)

WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER (National Theatre [Dorfman], London SE1; opened 23 January, 2019)



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